Juan's World

Guitarist, Composer, Writer, Publisher

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Interview with Composer/Guitarist Javier Farias: Practical Aspects of Classical-Guitar Composition, Part IV

For my article on practical matters of composition for classical guitar (Classical Guitar, Summer 2017), I interviewed three acclaimed composers and a publisher of classical guitar music. This series of posts publishes the full interviews. The first extended interview is with Stephen Goss, based in the UK, one of the most renowned composers for the contemporary classical guitar. The second interview is with Jürg Kindle, one of the most prominent contemporary pedagogical composers for the classical guitar. This third interview is with Chilean composer and guitarist Javier Farias.

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Interview with Composer/Guitarist Jürg Kindle: Practical Aspects of Classical-Guitar Composition, Part III

For my article on practical matters of composition for classical guitar (Classical Guitar, Summer 2017), I interviewed three acclaimed composers and a publisher of classical guitar music. This series of posts publishes the full interviews. The second is with Jürg Kindle, one of the most prominent contemporary pedagogical composers for the classical guitar.

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Water Wearing Stone: Practical Matters of Classical Guitar Composition

A composer creates, above all. Today’s composers must nevertheless navigate a myriad of factors including commissions, licensing and copyright, distribution and digital streaming, on and on. Perchance in Bach’s day it was easier: toiling in obscurity and poverty, or gaining fame—if not riches—most composers labored under the patronage of a wealthy and influential benefactor. Then again, Bach didn’t have the option of sending a performer MIDI files via Dropbox. Composers in the 21st century possess countless options, although most of us will still be unlikely, except under near-miraculous circumstances, to receive rich recompense for our work. Composing can be rewarding and worthwhile in and of itself, but whether an established or aspiring composer, attention to practical aspects and business details may have a great influence over your ultimate success.

Note: This article first appeared in Classical Guitar magazine's Summer 2017 issue.

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Innovation and the Publishing Start-Up

Choice magazine's annual University Press Forum offers the perspectives of University Press directors on a variety of topics. This year's Forum—the 13th in the series—addresses the topic of Innovation at the University Press. Essays from eight University Press directors are included in this year's Forum, including Bruce Austin, RIT Press; Courtney Burkholder, Texas Tech University Press; Faye Chadwell, Oregon State University Press; Steve Cohn, Duke University Press; Linda Manning, The University of Alabama Press; Gianna Mosser, Liz Hamilton, and Jane Bunker at Northwestern University Press; Mary Rose Muccie, Temple University Press; and yours truly.

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University Presses Gather on a High Note

University press representatives from the US, Canada, and abroad ascended to the Mile-High City for the Association of American University Presses (AAUP) 2015 Annual Meeting, June 18–20, on a high that probably had little to do with the marijuana dispensary across the 16th Street Mall from the host hotel Sheraton Denver. Despite the reality that many presses are necessarily accepting the mantra that “flat is the new up”—particularly for small to medium presses that the AAUP terms Tier 1, 2, and 3—the mood in Denver was decidedly upbeat. AAUP’s membership is a decidedly collegial and supportive group of professionals truly concerned with the creation, production, and dissemination of scholarship. The meeting’s theme “Connect, Collaborate” was not an empty platitude. The meeting’s positive mood can also be attributed to spirit of innovation embraced by many presses, the feeling that while scholarship and the academy are changing, university presses are willing and able to evolve and help drive developments, even if the precise path from here to there is still opaque.

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